Just home
from first preview and happy to say that after two days of low spirits we seem
to have a show. Long way to go still but lots and lots of laughs. Bob put it
best in the green room to me tonight hearing huge laughs over the monitor – “It’s
like a balm for our souls.”
Didn’t go
into it much yesterday but last night’s invited dress rehearsal left a lot to
be desired in all departments. We were not on our game and though the teeny
audience seemed to enjoy themselves, none of us were living up to the show’s
potential. There seemed to be lots of late entrances and searching for lines.
The set had all sorts of new masking (“masking” is done around the sides of the
set and by the entrances so the actors are not seen unless they are supposed to
be). Anyway, there was new masking we had never seen and walking out of a door
suddenly put you into a wall that had never been there before.
Act 2
started off with a bang for me personally. Act 2 opens with myself and Poppy
frantically worrying about whether the show will go on or not. So as the
curtain goes up you see me center stage pacing and Poppy stage left at the
stage manager’s table. Well, last night … curtain up.
Me
pacing.
No Poppy.
Me.
Alone.
Center stage.
Pacing.
Alone.
You go
into this weird place onstage where time lingers for what can feel like an
eternity. Usually it is only a few seconds but actors are famous for telling
war stories about being left alone onstage for 5 or 10 minutes and having to
improv. Three seconds feels like three minutes and it was probably only about 4
seconds of pacing before I shouted offstage, in the direction of the stage
manager’s table: "POPPY!!!" About 3 seconds (or what felt like 2
minutes) later she emerged and we continued on.
Then in the
following scene I have with Lloyd, we are talking at cross purposes. He is
going on about Brooke and I am going on about Dotty.
I say, “She’s
had bust-ups with Garry before, of course”
and Lloyd
says, “Brooke’s had a bust up with Garry?!”
to which
I reply, “Brooke?! Not Brooke! Dotty!”
Well,
last night I said, “She’s had bust-ups with Garry before, of course”
to which
he replied, “Dotty’s had a bust up with Garry?!”
to which
I responded (after a quick beat), “Yes. Yes, Dotty’s had a bust-up with Garry!”
Anyway,
we all had moments like this. But we got through it.
Came in
this afternoon for notes and fixes, and then did a run with everything but hair
and makeup – Act One went pretty smoothly but Acts 2 and 3 fell a bit flat.
We all
went home for a quick bite, rest, shower, whatever – well, I should say those
of us who are out-of-towners and live in the apartments next to the theater
went home – the folks who live in the area probably didn't have time to go home.
Anyway, we came back for the show tonight and all had crossed fingers and were
prepared for anything. Well, right from the get-go the audience was with the
show. Jonathan was quite right in that he said the audience should (and would)
enjoy Nothing On when it goes right. And
of course the brilliant thing that Michael Frayn did in this play is that EVERY
SINGLE THING THAT HAPPENS is a set up for a payoff yet to come. So, to have the
initial set ups get such nice laughs made the payoffs even bigger.
I was so
happy to hear over the monitor Helen and Stephen, and Bob … well, everyone
really … getting such nice laughs. We have all worked so hard and it was such a
treat to hear the audience enjoy it so much. When you work on a comedy you find
out all the things that are funny, and then as the weeks go on in rehearsal it
all usually becomes painfully unfunny. Well, that is where we were and to be
reminded about how funny it is was a great, great thing.
Okay,
enough babbling. More to come. I had a lovely chat last night with our composer
and I have some great stuff to share about that. Tomorrow though.
For those
of you reading ... thanks for crossing your fingers. It worked. But, keep
crossing them. And more importantly, I can finally say with a great sense of
pride …
COME SEE NOISES OFF!!
YOU’LL LOVE IT!!
-Jay
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